Knowing the ground you stand on… | The Roomies Production Blog

“When you know the ground you stand on, you don’t need much ground to stand on…”

I have no idea to whom this should be rightfully attributed, but it blissfully emerged during a discussion last night with my colleague and bud, Vancouverite Andrew Semple/Tenzing Lobsang (meaning “protector of the knowledge”).

I realize it likely wasn’t expressed in the context of independent film, nor was it likely meant to be improperly distilled down to some mundane trope, though I couldn’t help but observe the degree to which this was so a propos to indie film! And not just that, but to our mission here at The Roomies as well.

Here’s how it relates:

  • if you know what your budget is, know its parameters, know what your cast and crew are capable of, then you’re not going to overspend, overtax your talent, or otherwise blow your load.
  • if you know what your skills are as a filmmaker, you’ll know how to reach out into your networks and communities, soliciting for advice and assistance when a task you’re performing is clearly over your head or beyond your capabilities.
  • if you know your script and story cold, you’ll know precisely what emotions you seek to evoke from your players and what high notes you’d like to hit on a given scene. When you see something you don’t like, you’ll nip it in the bud. I call it the “Ingmar Bergman Effect.”
  • if you have a good relationship with your producer (or if you double as producer of your own pictures), then potential on-set/behind-the-scenes conflicts are minimized and everyone involved can instead rivet their attentions on the film, and not the noise.
  • if you know the limitations of your gear and equipment, you won’t overtax them and cause potential shooting delays as you possibly shatter something and need to replace it.

If you don’t take up much space, you don’t need much space. If you don’t waste resources, you minimize potential anxieties. If you don’t walk around with a chip on your shoulder, no one resents your presence.

Indie filmmakers have honed this lesson well…

Posted via email from Adam Daniel Mezei’s posterous

Is China Better Off Without Google.cn? No, Says @neokai…

Elliott Ng‘s amazing CN Reviews features an excellent stepwise breakdown by the sage Kai Pan on why Google‘s announced exit from China due to the alleged Gmail account breaches by Chinese intelligence services and in opposition the the PRC’s insistence on it censoring its search results is decidedly a bad thing for overall Chinese freedom. Like Kai writes eloquently towards the piece’s conclusion about G.cn’s planned exit, “…life is not black and white and sometimes we have to make the best of what we can control. You have to be in a game to win it.”

Posted via web from Adam Daniel Mezei’s posterous

E-Bikes In the States | Can They Work?

Evan Osnos writes in The New Yorker yesterday about the advent of e-bikes in the States. Interesting little Q&A.

Posted via web from Adam Daniel Mezei’s posterous

Will Moss | @imagethief | on the nuances of the Chinese PR industry

All I’ve got to say is this: I’m glad Will’s back from his self-declared blog hiatus. The man spins words into sentences like a craftsman and is in a Major League all his own. Check out his blog here. Read the rest of this entry »

Angels Abroad #1 at 800-CEO-READ

Many thanks to Wayne Turmel for originally introducing me to the good people at 8CR, Todd Sattersten (formerly), Jack Covert, and especially Jon Mueller. Here‘s the first in a new series I’ll be writing, called Angels Abroad.

Lord Black weighs in on China…

From a federal penitentary in Florida, Conrad Black weighs in with his opinions about China’s rise.

My favourite passage from the article:

“China has a centrally directed economy, and calculates growth rates as a function of production, not spending; and production is deemed to occur when it is commissioned by the state. Thus, all Chinese predictions of economic growth are self-fulfilling: The central economic leadership orders production of toasters or submarines and announces construction of roads and sports stadiums, and the anticipated costs are added to the GDP at once.”

Evan Osnos’ Letter From China

Evan writes about the sudden disappearance of civil rights lawyer Xu Zhiyong.

Red China Blues, by Jan Wong

Red China Blues

It’s not always in this short, afflicted life of ours that we get the chance to make amends for our past transgressions. At best, our sins constantly dog us, spoiling any chance we may have at getting beyond our one-time capricious oversights. At their worst, our former sins torment us during our every waking hour, horrifying us to such an extent that the ultimate outcome is to inflict grievous harm upon ourselves. Hari-kiri, suicide, or falling on our sword by any other name.


Following an activist youth in the thrall of radical Mao Zedong Thought (aka “Maoism”) while becoming proficient in Marxist and Communist ideology during China’s tumultuous anti-rightist “Great” Cultural Revolution (1966-1976), celebrated Canadian journalist Jan Wong returned to the PRC in a rather different guise — as The Globe and Mail‘s chief Beijing correspondent. Throughout the book, she admits to us that the gig was her way of seeking some measure of salvation for her Maoist mistakes.


RED CHINA BLUES (416pp) recounts Wong’s personal “long march.” It begins with a frank declaration: that the book seeks to assuage her past, an existence rife with rampant “self-criticism,” a flippant disdain for all things Western and for capitalist materialism (her father is the proprietor of the Bill Wong chain of Chinese restaurants in Montreal, Canada), and a forgettable experience of twice playing the snitching stool pigeon against a pair of former Peking University classmates.


As the book rises to a crescendo during the catastrophic events at Tiananmen Square on June 5, 1989, Wong dutifully details the folly of her youth, attempting — successsfully, in my opinion — to make amends by exposing the noble work of the latter-day dissidents (from mid-’90s China) and the monumental struggles they experienced in their work to improve a China on the rapid economic upward thrust. Efforts conducted in the face of a panicky PRC government wishing nothing more than to condemn the humiliation of the Tiananmen Square incident to a nameless faceless tomb. She faithfully retraces the steps of her adolescent journey into the evil clutches of the Mao Zedong personality cult, astutely picking apart the microscopic strands of the authoritarian psychology (some would say, pathology) which continues to haunt the leaders of today’s Chinese Politburo and leaders who pull the strings of power in the PRC.


The China which Wong describes in 1996 (when the book was published) is a China not quite sure of itself and its promising (or haunting) future. Existing in vicious denial about the events of its past two decades, the China of Wong’s book does anything and everything in its grasp to squelch any discussion of its obvious Tiananmen mishandling — both by the PRC’s army  and its protesting students and their supporters. The China Wong describes has instead opted to make a Faustian pact with its former adveraries in promising them material comfort and progress at any cost, staking its very future on its ability to do into the forseeable future.


The narratives introduces the key protagonists of the era — student protesters and activists who populated the Public Security Bureau’s then notorious “hit list” — then-students like the intrepid Uyghur Wu’er Kaixi, the list’s No. 2, who boldly demonstrated together with his university peers for a dismantling of the corrupt old-boy networks that remain a staple of late 21st-century Chinese dealings more than ten years since the publication of this book.


Wong also tells about China’s wretchedly poor peasantry, those overworked, huddled rural souls too distant from China’s various commercial capitals to truly enjoy the fruits of the country’s “peaceful rise,” unable to participate in the China Dream. She often goes undercover (Wong is an Overseas Chinese) to bring us the story, and often at great risk to her person knowing full-well that the slightest slip-up might lead to her expulsion and possible imprisonment in China for going places she clearly shouldn’t, for asking questions deemed verboten by the leaders of the world’s most populous country.


Always entertaining and delectably poignant at other spots, Wong weaves an insightful tale less about a sleeping giant caught in an uncertain transitional flux, but more about a personal crusade against a regrettable impetuous youth wastefully spent caught in the enthralling throes of a corrupt movement whicxh cruelly betrayed its most strident acolytes.


I guarantee you this: you will feel for Jan Wong as you make your way through this read. You can almost taste her sincerity, her desperate wish to see the realization of her version of the ideal China, that very same China of her imagination which drew her in so mightily decades ago.


It’s a China she one day hopes its citizens will live long enough enough to experience for themselves.

http://managingthedragon.com/index.php/2009/07/29/china-numbers-incredibly-strong/
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