Book Review: Egg On Mao by Denise Chong | CNReviews

Double, double toil and trouble;
fire burn, and cauldron bubble.

Yes, once again Denise Chong, that best-selling author and fellow Canuck, stirs the ol’ hot pot again with her latest snipe at Zhongnanhai’s corrupt geriatric set over their handling of the whole so-called “6-4 Incident.” Enter her latest smashing volley, Egg on Mao: The Story of an Ordinary Man Who Defaced an Icon and Unmasked a Dictatorship.

Recounted through the heartfelt memories of Lu Decheng, the intellectually dullest of the trio of wayward Liuyangers who one-timed oil paint-filled egg shells from a local jian bing stand at the Forbidden City’s omnipresent portrait of the Great Helmsman, Chong spins a vivid tour-de-force tale depicting the aftermath of their arrest and subsequent incarceration in the dying days of the late-’80s student democracy movement.

During the spring of what would become that fateful ‘89 year, Lu along with his friends Yu Zhijian and Yu Dongyue were caught up in the fervor of ousting the Party leadership once and for all. They became drunk on the idea of setting the People’s Republic’s sails firmly on a course for integration with the West along with the abolition of China’s corrupt glad-handing society.

Heeding the poetic words of student leader, Uighur activist Wu’er Kaixi, the “sun shining off of Mao’s portrait was so bright that the people couldn’t open their eyes to what was going on around them.” Hopping on the overnight choo-choo via Changsha, the three impressionable young cats — caught up in the inexorable flow of thousands from all across the nation descending on Beijing (or Peking as it was still then known in the West, still stuck in Wade-Giles mode) — somehow found themselves in the thick of it at the center of T-Bone Square, rocking it on ’til the break of dawn against the Big Bad Red Machine.

Chong employs a nifty literary technique shifting back and forth between what was and what is, flashbacking to our impressionable ones’ preparations as they eagerly anticipate traveling north to the capital, matched against their deep-seated doubts about what they were monumentally about to do. The portrait vandalizing incident was only an afterthought, can you believe it?

I found the most harrowing portions of this book — quite expectedly — to transpire inside the jail where the three were sentenced to life imprisonment for defacing the People’s Property. A couple of the guards sympathized with their cause, while many others were tasked with the deplorable job of smashing their willful spirits and crushing the resistance out of them via a daily slew of humiliation, physical abuse, and in several cases, unmitigated torture. Their prison authorities somehow remained convinced that they’d succeed in luring the young men, especially the brilliant Zhijian, from of their “counter-revolutionary” paths, by inculcating in them the values of Mao’s Homo Sineticus, the “ideal” modern Chinese super-ego.

Decheng, a bus mechanic and driver by trade, was the least educated of the bunch at the outset. His journey is magnificent because his life changes by 180-degrees by story’s end. Dongyue, youngest and most impressionable, was a mere wet-behind-the-ears type at the crime’s time, a mere teenager. Zhijian was the one with all the bright ideas and coffee house theories, the one who read all the European classics, and the one who became most disillusioned by the end thanks to the students’ perfidy in refusing to come to the three’s aid by secreting them away from the lurking plainclothes PSB goons at the time, instead offering them up like sacrificial lambs.

Given that Decheng was our narrative vessel in Egg On Mao, we came to learn of the harshness of the boys’ prison conditions through his arduous journey in his own words. As he arrived at the stark realization that the West was absolutely powerless (or unwilling?) to convince the PRC’s Party higher-ups to spring him and his mates from the cavernous clink, Decheng set out to improve his skills and brain power while living out the typical prison double life.

Compelled to undergo the routine Maoist ideological indoctrination and daily hammering of Marxist-Leninist Thought, Decheng would mechanically nod his noodle during classes, only to “raid” the prison library later in the evenings to feast his eyes on anything he could get his meat hooks on: well-thumbed, outdated tomes on all manner of Western theory and thought — all in English which the guards couldn’t read — realizing that eventually his salvation would come and he should be prepared for that eventuality. Guards would needle him for his seeming craziness; the mere sight of Decheng reading stuff that looked as if though it could maim, rather than educate, him elicited many giggles. In time, howe3ver, this strategy would prove ultimately successful, confounding the dastardly designs of the prison system.

By 1998, Decheng was a free man — first, gaining asylum in Canada, where Chong learned of his story.

There’s a lovely parallel story in this book, and that’s the love affair between Lu and his young bride Qiuping, a woman he eventually weds prior to performing the fateful deed.

Even before the first yolk is hurled at Mao’s grim, moled likeness, Decheng and Qiuping have birthed their first tot — a XX Chromosomal Child Unit. His subsequent imprisonment, despair, and eventual divorce from his wife who fears her man will never be released for the ignominy caused to the Party’s international image, is a touching counterpoint to the violence taking place within the prison compound’s walls. The brutal and repeated attempts by Decheng’s prison warders to destroy his rebellious soul do nothing to diminish his abiding passion for his wife and their oft-stated commitment to “never accept a divorce, neither in life nor in death.” When news of Qiuping’s request for a divorce trickles through to Decheng via a letter he receives from a guard, it momentarily sidelines him as he struggles to reason out the rationale for her irrational behavior. When she eventually remarries, it nearly slays him, though he soldiers on knowing that in the aftermath of Deng Xioaping’s October 1992 demise — the man responsible for approving the murderous actions by soldiers on the Square against their own citizens — changes may be soon afoot in the “peaceful” People’s Republic.

Author Chong was censured for this book in the PRC. No surprise there. While she doesn’t personally do any of the criticizing about the events which took place on T-Bone Square — nothing is couched in her own words save for her parting caustic remarks in the Epilogue and Acknowledgments — the mere fact that she’s chosen Lu Decheng as the vessel of her apparent disapproval with the septuagenarians inhabiting the Chinese Communist Party’s Central Committee have now branded her as a PRC persona non grata. She won’t be able to return now, though she likely made her peace with this reality the instant finger touched laptop keypad.

Given that she had a year and a half to contemplate her fate — the duration of all her interview sessions with Lu Decheng in Canada, where he now lives — this was a well-designed goal.

Why you should read this book, friends?

Egg on Mao was likely the first straightforward and direct account about the actions of the perpetrators of the portrait defacement, told in their own words. No third-party stuff here, folks, or PRC spin-meistering for our ravenous Western investigative appetites.

Also, for those of you late-arriving (and young) Western stragglers who are convinced that TAM was a student-lead and directed protest crushed by the heavy-handed Chinese state apparatus, complete organized student hierarchies and chains of command on T-Bone Square itself, you’ll be shocked to discover that chaos was more the order of the day during those fateful two months. Chong does well to highlight this through the authentic recollections of Lu himself. Good job.

At 249pp, your bottom-line cost to purchase this brand new is just a few cents shy of a short paper route (wink, wink). The copy isn’t crafted to wallop you over the noggin from its apparent brilliance, and Chong, for lack of a better term, “keeps it real.”

This is a mean-slugging account of a very unusual time in China, an era when things were still in flux and the regime was deathly afraid of losing its balls years before Hu Jintao’s policy of China’s “harmonious rise” was even promulgated. I polished the book off on the trusty exercise bike over the course of a few days, wagging my head in several spots as I made my way through in astonishment, careful not to permit sweat droplets to damage its pristine acid-free (and lovely-smelling) pages. Cautious, as well, was I to ensure that my neighbors didn’t think I was becoming a closet Maoist, what with the Chairman’s identifiable head on its cover, even if it was smeared in a cocktail of egg and paint goo.

If you’ve already read the book and digged it hard, let us know.

If you haven’t caught it yet, it’s not the sort of “China book” that will make you dizzy-busy (so busy, you’re dizzy) from its girth and heft. ;-) Try it, Mikey, you’ll like it. I promise.

And, oh yeah…my name is Adam Daniel Mezei and thanks again for tuning in.

Love,
ADM


ps I’m in search of a new “China book,” friends, so if you’ve got any suggestions for me — which I promise to subsequently review — kindly let me know.

huxia juqui
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Review of Richard Baum’s China Watcher | CNReviews

Forty years.

That’s right, ladies and gentlemen. Feast your spherical peeps on a tightly summarized saga of four decades of delicious China watching, courtesy of retired UCLA scholar and eminent US Sinologist Richard Baum.

That’s essentially what you’re getting in this 296pp cut of around-the-horn PRC goodness, China Watcher: Confessions of a Peking Tom. Oh yes!

For the writer, it’s a veritable walk down memory lane which began right about the end of the chaotic Cult Rev years. Carrying through to Deng’s Reform and Opening years, it continued into the rip-roaring goodness of the Special Economic Zones/SEZ era.

Baum witnessed the Xidan Democracy Wall protests of the late ’70s, the acorn-collecting, squirrel-like saving eighties, the craven PLA turkey shoot on that enormous square in front of the ochre-colored Imperial complex bearing the portrait of that revolutionary dude (the same dude on the book cover above — and no, I’m not taking any sort of position whatsoever on the law-enforcing slaughter of hundreds of unarmed civilians), and Deng’s famous 1992 Southern Tour.

He wraps things up with China’s “in the wilderness” 1990s, its 2001 WTO ascension, the nation’s mid-naughts economic consolidations, the beginning of the Hu Jintao era, the SARS epidemic, the Sanlu milk scandal, the 2008 Sichuan earthquake, the Tibetan and Uighur riots of the same year, the glorious Olympic Games (China’s neo-adolescent “coming out party”), all the way up to the bright harmonious koombayah future — hexie shehui-style.

Baum, moderator of the famous Chinapol listserv, opted to compile a decidedly non-scholarly work of non-fiction this time ’round tailor-made for the Zhongguotong (China Hand) and layman alike. What an impressive piece of work indeed! If Baum doesn’t publish again for the rest of his academic career, China Watcher will have been a fitting cap on a marvelous career dash. Still, if he’s not into the whole swan song thing, rest assured the author can publish again and I’ll be right back here with yet another snappy review.

The book is organized chronologically and reads for the most part like an autobiography.

While not clinging rigidly to the autobio genre nor being doctrinaire about time lines and similar nonsense, Baum leapfrogs across history, embellishing on lesser-known phases of China’s magical development story for the benefit of readers who aren’t as well-versed in Sinology, writ large .

While you’ll likely have heard of the bulk of events Baum faithfully transcribes, I was grateful for his “five sides of the coin” elaboration on stuff that’s now become lore in the Western contemporary historical canon. Examples? The aftermath of the Shanghai Communique of 1972, the on-again, off-again China-Taiwan kerfuffle, not to mention the months, weeks, and days leading up to that human cull which took place in that square in a certain northern capital on that certain summer day back in 1990 less one year. ;-)

What Baum does excellently in China Watcher is supply a wide-angle lens treatment to the major events of the past four decades, the sorts of things only a person who was actually on the ground at the time can write about credibly. Imagine getting the fly-on-the-wall play-by-play half-an-hour before the recording of the Zapruder film, and you’ll readily realize what I mean.

Rather than replicate Angilee Shah’s stellar June 2010 review at China Beat, I thought I’d do another one of my famous chapter-by-chapter breakdowns for what’s quickly becoming a twenty-ten must-read.

CHAPTER LISTING:

1) The Occidental Tourist: Nice play on words here about the famous 1988 film. Baum describes in this chapter how he actually “fell” into China studies, rather than actively pursuing career Sinology. It all began as a dare to prove to his father wrong that the Chairman wasn’t anything like Stalin, that Mao was up to something better with his new movement. Like a good movie script, this was the inciting incident of Baum’s fateful meeting with noted UC Berkley China experts Bob Scalapino and Chalmers Johnson. Baum would never look back…

2) A Dissertation Is Not a Dinner Party: In 1966, Baum boarded a trans-Pacific flight with his then-wife Carolyn and infant son Matthew in tow, landing on the rainswept island of Taiwan, or what was then referred to as the Republic of China/ROC. As part of his dissertational studies, Baum was obliged to undergo intensive Mandarin training in Taipei as he boned up on his research methodologies. Basically, his writ was to glean as much information as possible about the PRC in the days before free visits to China were restricted only to “friends of China.” Lots of Hong Kong stuff features in this chapter. Baum got close to the People’s Republic, but didn’t get the PRC cigar. Peering over into the fishing village of Shumchun (then-Shenzhen), he longed to see the Chinese up close and personal though it wasn’t to be. For those keen on reading what Taiwan was like under dictatorship (and a KMT/GMD intelligence dragnet), this is your chapter!

3) Confessions of a Peking Tom: A key chapter colored by the backdrop of the higher-level political machinations which took place at the chaotic end of the Mao era. China opens itself to the world with the official exchange of diplomats between the US and China. The Kissinger-Nixon-Mao confabs, the changing of the Zhongnanhai guard, the trial of the Gang of Four (boo!), the Hua/Deng rivalry (yay!), and finally, Baum’s heartfelt admission about his bitter academic rivalries fomented around this time that would dog him for the rest of his academic career. We track with Baum as his renown swells within “China watching” circles, and he peppers us for the first time with his limerick-spinning abilities that were used like poison-tipped projectiles to offend his most stalwart detractors back in the day. Funny!

4) Through the Looking Glass: Baum enters China for the first time, crossing over the Friendship Bridge (HK’s Lowu crossing) in May 1975 along with a delegation of “95 of the world’s fastest, strongest athletes.” Just like that, he was suddenly inside. The delegation visited three large Chinese cities: Guangzhou, Shanghai, and Beijing during the competitions, and it was great to read what those places looked and sounded like back in the late seventies. Communist Party (CCP) political machinations reverberate behind-the-scenes as Baum visits various scenes of past Chinese Cult Rev crimes. There are banquets, social customs, and Maoist political doggerel galore!

5) Democracy Deferred: The death of Mao. The rise of Hua, then Deng. China closes the books on 1966-1976’s Cultural Revolution. The Xidan (Democracy) wall. Democracy posters and placards. Civil unrest. Baum’s second and third trips to China, this time as a full-fledged accredited academic. The arrest of democracy advocates Wei Jingsheng and Fu Yuehua, foreshadowing the more brutal clampdowns that are to come a decade later on that large square at the center of Beijing where students and academics went on long hunger strikes and then built this tall statue thingy to commemorate a certain non-existent aspirational Chinese political ideology and then “taken away.” You know the place I’m talking about, right?

6) Capitalism With Chinese Characteristics: From ‘84 to the late 1990s, Baum lectured aboard a Chinese cruise ship that would ply the country’s eastern seaboard. He was in China often to witness first-hand its workforce’s rapid evolution from a gaggle of faceless employees at state-owned factories (SOEs) to the nascent getihu entrepreneurs. Baum tells of the rabble-rousing CCP reformers Fang Lizhi and Hu Yaobang, and the CCP’s desire to avoid a catastrophic meltdown as had been steadily affecting the USSR. Then…the early days of those fateful big square demonstrations by Chinese students during that year’s spring. You know what I’m talking about, right?

7) The Road to Tiananmen: In February 1989, Baum is hastily flown to Camp David along with several prominent US Sinologists to debrief then-President Bush (I) about the latter’s upcoming China visit. He’s asked about the wisdom of inviting dissident Fang Lizhi to the US Embassy’s sponsored banquet. Baum vociferously advises against it — Fang’s a marked man, he tells the President’s handlers. But to no avail. The White House invites Fang anyways, but he’s prevented from attending the dinner by the Sinostapo. Later in May of that year, Chinese student protests commence in earnest in the Square, heralding worse things to come. Soviet Premier Mihail Gorbachev’s visit to Beijing is a pretext for students to clamor for greater political freedoms. The poop is almost ready to hit the Chinese fan. D’oh!

8) After the Deluge: The human cull happens. Fish in a barrel. Blood everywhere. International censure. Hell breaks loose in the PRC. Baum is bravely back in China by August 1989 and the country is under total dissident lockdown. Baum-er can’t get an honest word in edgewise about the spring’s events nor from any of the Chinese academics or CCP members who agree to meet him. They feel compelled to senselessly blather the government line, doing so for the “benefit” of their prominent foreign academic guest. It frustrates him, especially the faux-exhibits to the glory of the PLA he’s taken to during this trip. Excellent p152 breakdown of the various stages of Chinese “friendship or enmity” (friend, friendly personage/youhao renshi, “those who really love China but know all the vices of Chinese communism/not easily fooled,” “those people who love China but hate Chinese communism,” and lastly, “those who either didn’t know or didn’t care much about China”).

9) China Rising: Explosive growth of the Chinese economy in the wake of the month after May on the day after the 3rd, er…Incident (wink, wink). The fall of Soviet and Eastern European “Communism” for all-time. The Velvet Revolution and the bloodless handover of power in in the Eastern Bloc nations. China makes a Faustian bargain with its citizens: we continue to pump through strong economic growth and a life of wealth and privilege for you and your families, but you leave the governing and statesmanship to crooked us. The handover of British HK to China in 1997. Former HK Governor Chris Patten flipping the bird to Beijing. The NATO/US bombing of the Chinese Embassy in Belgrade, 1990. W.’s first Presidential term, and what that suddenly means for Sino-US relations.

10) God in the Machine: The rapidly improving state of the Chinese telecommunication network — especially mobile — and the origins of the Great Firewall of China. Pernicious Internet censorship and the more than 100,000 cops who monitor the Chinese internet daily. Forbidden search phrases, taboo web pages, and restricted foreign sites. Jing Jing and Cha Cha reminding Chinese netizens that certain material is potentially objectionable. The origins of Richard Baum’s Chinapol news group, with more than 900 subscribers in twenty-five countries throughout the Americans, Europe, Asia, and Australasia (and I quote from p178: 397 scholars, 262 journalists, 98 NGO and think tank analysts, 96 diplomats and government analysts, and a scattering of independent consultants, international lawyers, and others). Internet activism, Chinese-style!

11) The Wild, Wild West: In July 2001, Baum casts off for his first trip to Western China. He meets up with Kevin Stuart, who teaches English to a group of upwardly-mobile Tibetans out of his Xining, Qinghai apartment. Stuart is organizing a school for local kids who are game to improve their English speaking skills. Baum returns the following July 2002 “to visit five western Chinese provinces by air, train, bus, boat, taxi, and on foot,” toting along eight UCLA undergraduates, three graduate students, plus three faculty members to man the school in Xining where Stuart has set up shop. Baum witnesses first-hand China’s Great Western Development and how slow the process has been taking to get western Chinese incomes to rise to the level of those in its eastern cities. He’s warmly welcomed by the various Tibetan communities he meets along the way and is dismayed to witness how condescending the Han majority — specifically Beijing — is with its Naxi, Tibetan, and Mangghuer minorities, likening them to “little children needing the guidance of their Han parent.” The first rumblings of the riots which will soon rock Tibet and Xinjiang throughout most of 2008.

12) Beijing Revisited: Baum is back in Beijing during the fall of 2005 to collaborate in the establishment and running of the Joint Center for International Studies (JCIS) at Beijing’s Beida (Peking University) along with Professor Jing Qingguo. He inspires his Chinese students to read material that challenges the CCP line and inspires several of his students — which Baum discovers years later — to think divergently about the events that transpired at the end of the previous century. Baum also witnesses the massive changes which have taken place in Beijing since his last visit during the mid-’90s: the construction boom, the astronomical price of real estate, the hazardous pollution and atrocious air quality, and the manner in which the Party deals with annoying citizens standing in the way of its bold economic plans. The construction campaign for the 2008 Beijing Olympics is now in full swing.

13) China Watching, Then and Now: Admittedly, this was the most boring chapter of Baum’s entire work. Baum goes over the history of “China watching” as a career activity, recalling the centers where China watchers once reviewed the best material on offer about the PRC before free travel to China commenced in the 1970s. He talks about how some former hardcore Maoist ideologues have now recanted their ostensibly erroneous ways and the ramifications it has had for their academic careers and lives. Baum also complains about the current crop of China watching recruits, how they differ from his day and why. He maintains an undecided opinion about the state of contemporary Sinology. You decide.

14) The Gini in the Jar: This penultimate chapter was, conversely, the most interesting of the entire book. In it, Baum discusses the financial and societal costs of China’s sudden explosive growth during Reform and Opening, and selects Shenzhen as a ready example of what he means. Baum also reviews the state of you know what kind of rights legislation in China, and about the legacy of the human cull in that Square from a couple of decades back — you know which one I’m talking about. Bolstering his argument are a range of different statistics which point to the storm clouds gathering on the PRC’s horizon, and what could occur if the economy suddenly tanks and Beijing can no longer fulfill its promises to constituents about their collective future security. Will the whole edifice come crashing down? Will there be massive civil unrest? Baum’s views are worth a read.

15) Loose Ends: Anything which somehow wasn’t resolved in any the previous chapters is dealt with — just as the chapter’s name indicates — here. In case you were wondering what befell some of his colleagues, comrades, and fellow academics over the intervening years, Baum hammers through the list of notable personages we’d read about in previous sections, tying things up nicely. There was the divorce with Carolyn, the arrival of his grandchildren, and his future prospects.

The book’s final paragraph is a fitting bookend to this exquisite chronicle. I’ll quote it here in its entirety in closing (p291):

Blessed with an inquisitive nature, outstanding role models, rich opportunities, and abundant good fortune, as a young man I became powerfully drawn to the lure of contemporary China. Almost from my first classroom encounter with Arthur Steiner, China has been my passion, my calling, my own personal Shangri-la and Chimera rolled into one. Although three decades of economic reform and global engagement have made China’s political and social reality far more accessible — and far less bizarre — then they were in Mao’s time, the People’s Republic remains for me a profound puzzle. Ever changing, ever fascinating, and ever frustrating, it compels my attention even as it stubbornly defies comprehension. I cannot look away.

So what do you say? Will you be acquiring your copy of China Watcher today?

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ADM Videoblog #60 — “Am I Glad I Read All Those Books When I Did!” on Vimeo

BOOK REVIEW: The Guerilla Film Makers Pocketbook | PMD-For-Hire | Indie Film Promotion Made Easy

A long time ago, on an island just off the west coast of France, a trio of road-weary yet wise cineastesChris Jones, Andrew Zinnes, and Genevieve Jolliffe — cracked open a warm bottle of bargain bubbly, unbagged a loaf of day-old Wonder Bread, and twisted the cap off a jar of crunchy peanut butter. It was truly a momentous occasion for a feast; for they would soon be signing the founding charter of their new independent filmmaking collective. They would dub themselves Guerilla Film Makers.

Their responsibilities to each other would be simple: if one of them made it Big Time, all would make it. If one were to taste success, all would taste it together. The key was to do things as a team. Safety in DIWO (doing-it-with-others).

On that day they vowed to go where none of their British cinema-loving peers went before: to Hollywood. Not even a missing “r” in their name would stand in their way. ;-)

So our Guerillas went on to shoot three commercially-viable pictures in a nation where independent film makers routinely sought UK Film Council alms.

They made The Runner. Followed it up with White Angel. And then came Urban Ghost Story. Yep. Three brave, beautiful, and brazen films that brought them closer to the Big Show. The antithesis of the yawn-inducing stuff which currently passed for Continental European fare. Three universal stories which finally had a chance to earn back their budgets and which could be wildly popular on both sides of the Pond. Fancy that! And The heresy!

When the French and Germans heard about what our Guerillas were up to, they nearly had a fit…

Soon, our gang became known across the indie-sphere, and it changed their mission.

Convening once again in their Holy Conclave, the Guerillas uncorked a bottle of upmarket vino this time and amended their founding charter thusly: they would strive to reach out to all film makers in the world and help cure them of the disease which afflicted us all: the compulsive need to make films. Until Hollywood came a-callin’.

Mission accomplished for the Guerillas? Almost. Hear me out.

Fresh off the roller-coaster ride of his nearly Oscar-nominated multiple festival-winning short Gone Fishing, Chris was now deeply in development on his feature, Rocketboy, with writing partner Judy Goldberg. Meanwhile, he’d continue to host seminars and hone his craft.

Genevieve and Andrew? The couple were now happily living in Los Angeles taking pitch meetings for their duo of features in the pipeline.

Our Guerillas were operating.

They were firmly in the game.

And they were examples for their fans and admirers to emulate.

But this all didn’t happen in a flash. T’was a grueling harrowing process indeed. Like a bucking bronco busting out of the gates our Guerillas held firm. How did they manage to get there? What were their steps? What could we learn from their journey? Was it their iron-willed desire to tell great stories and win awards? Was it their connections, their standing on the shoulders of giants? Or was it plain old luck?

Well, it was all of these, and more.

Sadly, most of us who have a desire to make flicks won’t break through the clutter, even though we have the ability to. Any artist can brandish a good HD camera to shoot a fine script, but not make any headway in the industry.

According to Chris Jones, the most common mistake he sees amongst first-time directors is this: too big, too much, too fast. They try to do too much without the required experience and get burned by the established players and the system. Then they give up.

The Guerillas knew from personal experience that filmmaking was one hard taskmaster. New film makers would get clobbered. “The business” would pummel them. Sales agents would take massive bites out of them. The system would work to crush them and dash their dreams. Unless they could help prevent this from happening. So the Guerillas had an idea…

Sure enough, experts (like themselves) in the field were armed with answers. There were blogs, books, and expensive training seminars, yet none could guarantee success and nothing was in one place. It was all so confusing. So damn chaotic.

The Guerillas observed how most film books usually chronicled a film makers’ unique journey. Sure, books like that were inspiring as hell, yet hardly helpful. What the indie community needed was a single resource that gave advice from every conceivable quarter. Every departmental angle: sound, lighting, production design, costume, insurance and legal, all the way to a film’s sales and marketing.

They got in touch with a few of their friends to help compile a step-by-step pocketbook which would act as both guide and daily source of inspiration that would get film makers over the hump. Here’s what emerged:

Isn’t this just another one of those “must-have” filmmaking how-to books?

Short answer: sort of.

If you’re anything like me, you’ll already have covered more DIY-filmmaking books than you can shake a stick at. Some good, some miserable, yet all basically sharing a common theme: hey! you too can shoot and sell your very own movies because [insert now-famous film maker's name] did it and I was once like you — a Hollywood nobody! So just get out there and do it, they encourage.

Sounds so damn easy…

Reality is that film makers were already getting out there and doing it, but most were failing to sell what they were shooting and going heavily into debt in the process. Not only were they not flogging what they were making, but they were dropping out like flies.

Those rah-rah books usually glossed over the critical steps in the filmmaking process. The kind of stuff which usually threatened to capsize even the most stalwart film maker’s efforts at inception.

What sort of things exactly?

  • Sound: how to properly capture and record on-set sound so that even if you shoot your film on the cheap your audio/dialogue and Mix & Effects (M&E) tracks are stellar. Thanks to sound mixer Adrian Bell (p110) and sound designer Bernard O’Reilly (p172), who appear in the pocketbook, readers will gain hours’ worth of professional audio consulting just for the cost of this book. The pair basically tell you what you should and shouldn’t do in a given situation so your sound is crisp and tight.
  • Make-Up & Costumes: Lights, Camera, Action? Not just yet. Not before all of your actors look absolutely fabulous with makeup designed by an experienced professional wearing costumes perfect for your budget. Kat Bardot (p136) offers up some handy money-saving tips on how to make-up your players if you’re on a shoestring. Stuff you would have never considered on your own. Shanna Knecht (p130) talks about costumes as an actor’s “skin,” essential to get right for a portrayal to be as authentic as possible. For producers on tight budgets, she shares tips on how to design cost-effective, but appropriate, costumes.
  • Editing: They say a film is (re)made three times: once during the write. Once during your shoot. And a final time during your edit. Eddie Hamilton (p136), an original Guerilla Film Maker who made his recent Hollywood editing debut in the wildly-popular Kick-Ass, shares tips on keeping organized during the process so edits can be handed off to replacements in case the first editor needs to take a paying gig. Gorgeous chapter!
  • Marketing: The incomparable Sheri Candler (p208) suggests ways on how to design a film’s overall marketing and sales strategy: before you put finger to keyboard. Rather than shoot just any random story, best to research which potential markets your story might appeal to in advance and craft your tale from there. Think about your film’s ultimate goal: to sell itself and get those “bums in the seats,” because, as Sheri says, filmmaking is a career, not a hobby. With that in mind she reminds us of the need to monetize our work and generate revenue. She also has tips about your film’s business plan. 50% of your budget should be devoted to marketing and distribution, hence the advent of the PMD. The problem with most film makers, she asserts, is that they run out of cash by the end of post and have none left for marketing. Big mistake! In an increasingly competitive film space, your film won’t be seen. Almost as if it never even existed.
  • Distribution: Jon Reiss‘ (p244) specialty. Jon wrote an entire DIY/DIWO book about non-conventional film distribution techniques. He suggests ways for striving film makers to circumvent top-heavy hard-to-break-into studio distribution channels. Jon encourages us to think about ways of monetizing our art that don’t involve waiting for someone to magically discover us. He discusses new ways of thinking about the “theatrical” experience (not necessarily between 4-walls, in other words) and ways for, say, documentary film makers to partner up with NGOs as part of cause-based stories to help evangelize documentaries to a wider audience. Jon, director of ground-breaking docs like Bomb It!, discovered plenty of tricks during the shooting of that film, and made his fair share of mistakes. In his own book, he goes into rich detail about them so you don’t have to.
  • Film Festivals: Your film just wrapped and you earned yourself a well-deserved break, eh? Yes. That is, if you had a solid film festival rollout plan in place prior to the busy festival season’s kickoff. Festival consultant Susan Cohen (p200) has tips on how to stay organized during the festival submission phase so you don’t double-submit to the same ones and possibly ruin your chances of debuting at a marquee festival, or sabotage your shot at an award (excellent for sales and distribution, those awards are!). One-click festival submission sites like Withoutabox.com are popular, yet deeply saturated. Susan suggests ways on how to leapfrog the competition, with advice on how to comport yourself once you’re already there. Hot tip: as you ascend the stage to give your acceptance speech, make sure to trip! Audiences adore it!
  • Sales Agents: And if you’re ultimately successful during your festival run, you’ll likely score meetings with people like Julian Richards (p218), sales agent. These are the folks who’ll represent you to potential distributors and help leverage those festival wins, your stellar DIY marketing campaign(s), and your awesome story to gain more traction internationally and ultimately help make you money. You’ll of course be signing a contract, so Julian’s got tips on what to be on the lookout for with boilerplate and what points to fight for. After this chapter, your chances of making rookie blunders will be drastically reduced and you’ll be able to sign deals with greater confidence as well.

The pocketbook is organized into sections:

  • Script.
  • Planning.
  • Production.
  • Post-Production, and
  • Festivals & Sales.

These are the key spots where film makers tend to commit the most egregious mistakes over their careers, and therefore the most intuitive arrangement. Best to break out a highlighter and pen as you read, and don’t be afraid to mark up your copy. There’s so much jammed into its 316pp that it’s a wonder it still fits in your pocket. Honestly.

Best thing about The Guerilla Film Makers Pocketbook? Nine film maker case studies that recount of the writers, producers, and directors who bared the hairy film beast’s fangs and ultimately triumphed. You might even have caught some of these before:

Colin
Ink
(a personal favorite!)
Ten Dead Men
Treevenge
The Black Hole
Dead Wood
Paranormal Activity
Gone Fishing
Swinging with the Finkels

So if you’re still not convinced, why don’t you read a few sample chapters at Amazon? Believe me when I tell you the learning begins from page one. This is a source you’ll return to often.

I’d like to thank Sheri Candler for getting me to read the book. It certainly isn’t the kind of thing I’ll be keeping on a shelf. ;-)

And huge thanks to Chris, Andrew, Genevieve, Judy, and Jon — and all the collaborators at Guerilla Film — who made this review possible.

Now get out there and create something amazing!

Posted via email from Adam Daniel Mezei’s posterous

The Party: The Secret World Of China’s Communist Rulers | CNReviews

(The Party: The Secret World of China’s Communist Rulers, by Richard McGregor, 273pp)

It’s depressing to realize how 273 tiny pages can raise the ire of the humongous Chinese Communist Party and kick up such a colossal domestic fuss, yet veteran journalist Richard McGregor’s latest work of investigative prose succeeded in doing exactly that.

Going deep behind Zhongnanhai “enemy lines” in a way few foreign scribblers or Zhongguotong — those cliched “Old China Hands” — would ever dare to (on fear of reprisals from PRC authorities), McGregor serves up a red hot zinger of an indictment on the inner-workings of China’s Big Red Machine, the party tugging the levers of power inside the authoritarian capitalist country.

The book is the work of more than a decade of silent toil and research by the relentless Australian, a journalist who traveled to and fro between the PRC, Hong Kong, and his native Land of Oz, with family in tow, as he compiled interview after painstaking off-the-record interview for this comprehensive tell-all.

To be sure, The Party’s already been banned across China; yet, then again, we fully expected it would be and, come to think of it, doesn’t it kind of add to its cachet in a very Zhao Ziyang-esque sort of way (let us know in the comments below!).

What kind of illicit treasures can be found inside this latest oeuvre of CCP criticism, you ask? What in tarnation is so taboo, you want to know? I mean, what exactly is the Central Committee so goshdarn afraid of?

All good starting questions…

McGregor — like other so-called “China experts” — knows several of the answers. All of this tracks back to that “sum of all fears” for the Chinese Communist Party: the fear of losing total control of the state apparatus and helplessly witnessing as the nation-state reverts back into the pre-revolutionary Armageddon-like times which reigned supreme during Chiang’s rule.

The CCP, oddly enough, permits practically anything and everything that doesn’t directly clash with its interests or harm its preeminent position within Chinese society.

This is the reason why, for instance, visitors to China can observe such things as LGBT bars in the ‘jing, yet no organized national gay pride parade exists for China. This is also the reason why Chinese citizens are legally permitted to freely practice their chosen form of religion…provided they link up with one of China’s wholly (holy?) state-sponsored places of worship, be it a church, a mosque, or a Buddhist shrine. Say you’re a Roman Catholic? No problemo, provided you don’t recognize the Pontiff as your spiritual shogun with the lone direct hookup to the Man Upstairs. A proud and practicing Muslim? Cool beans, so long as you don’t buy into the drivel Rebiya Khadeer has been popularizing in the Western mass media. And, oh yeah, you can’t be a member of that group with its first initial before the letter “G.”

The basic “silent agreement” between the State and these various religious acolytes is that all must avoid demonstrating for greater faith-based openness in that Big Square which sprawls out in front of the Forbidden City — yeah, that one. Or else!

Crazy Eights:

McGregor unfurls his argument in eight exquisite chapters. He deems these to be the eight key areas in which the CCP’s influence pervades Chinese society. In order:

  1. The CCP’s relationship towards the Chinese State.
  2. The CCP’s capitalist leanings in the wake of the Deng-era (aka, “China Inc.”).
  3. The CCP’s iron-fisted control of its personnel files.
  4. The CCP’s relationship towards the People Liberation Army (PLA).
  5. The CCP’s total dominance by “The (notorious) Shanghai Gang.”
  6. The CCP’s relationship with towns and regions far away from Beijing.
  7. The CCP’s capitalist shell surrounding its so-called “socialist” core.
  8. Tombstone:  The book which revealed the true death toll from Mao’s Great Leap Forward (>30 million citizens).

Salient Points:

Rather than supply a detailed breakdown of all eight chapters — thereby ruining the fun for you, dear reader, as you track down your illicit copy of The Party — why don’t I summarize what you can expect to find in each, thereby whetting your chops for the bigger feast to come?

  1. The CCP’s relationship towards the Chinese State: Nothing that happens in China occurs without the CCP’s blessing. Any organization, body, association, business, and/or any dealing with any foreign power — either in the Southeast Asian region or internationally — always occurs via the CCP’s direct intervention. Party membership is coveted by business types as it affords them access and needed connections. The Party bills itself as the preeminent force preventing China from teetering back into Century of Humiliation-like anarchy. Like an octopus, and in emulation of Lenin’s dictates about the Communist Party of the Soviet Union being everywhere at all times, the CCP penetrates every facet of Chinese society.
  2. The CCP’s capitalist leanings in the wake of the Deng-era (aka, “China Inc.”): Being accepted into the CCP’s ranks is no mere ideological progression. Rather, it’s a step up the ladder of corporate and commercial success in China. Former State-owned enterprises that were gradually privatized are still run by a silent cabal of Party loyalists who duly take their instructions from on high in Beijing, despite any decisions these firms’ various boards of directors or CEOs might make regarding the strategic direction of the company they preside over. The Party always has final say. And a company director can always be overruled by the most senior Party member on the board. CEOs carrying membership also receive the coveted “red hotline” in their offices, the direct line from Beijing. Their phone numbers are so exclusive, that they’re limited to just four digits. And when that red box rings, you better pick up.
  3. The CCP’s iron-fisted control of its personnel files: Being in total command of information flows is also a key CCP characteristic: all the better to avoid unexpected media leaks or to parties with an aim to toppling the CCP’s legitimacy via a coup. Personnel files are fiercely guarded in Beijing-area buildings that don’t even carry distinctive visitor-friendly markings on the outside. The merits and demerits of its several thousand members — hand-written on paper cards — still remains one of the nation’s most fiercely guarded secrets. The Party uses these cards to award concessions, favors, or privileges or to dole out punishment to its adherents and members.
  4. The CCP’s relationship towards the People Liberation Army (PLA): The PLA exists solely to safeguard the Party, not the Chinese people and neither the integrity of the Chinese state. Believe me when I tell you these various strapping youths are expressly recruited for their stature and capacity to intimidate. I witnessed with my own eyes how these Tiananmen Guards strike fear into thousands of onlookers because at whose behest they serve (i.e. the Party’s). The PLA remains the Party’s vanguard force, tasked with protecting the Party from all threats both from within and from without.
  5. The CCP’s total dominance by “The (notorious) Shanghai Gang:” Former Chinese President Jiang Zemin was the exemplar of the might of Shanghai politics in the Communist Party’s upper ranks. Once he become President back in October 1992, Jiang moved quickly to entrench Shanghai’s position amongst the capital’s power elites. Shanghai went from being the bastard child of the new People’s Republic — the city most despised by the Communist Party for all it represented during the interwar period — to a thriving, thoroughly-modern colossus. It’s no mere coincidence that Shanghai and its gorgeous Bund views are the most recognizable thing about China outside of the Forbidden City and the Great Wall.
  6. The CCP’s relationship with towns and regions far away from Beijing: The infamous Sanlu (“Three Deers”) melamine scandal, in which a form of plastic was added in lieu of protein to bolster the consistency of this company’s milk is a recent example of this. Regional Party members seek to leverage their power within rural Party fiefdoms strictly for gain. It’s what one anonymous Chinese blogger called the “black-collar class: their cars are black. Their income is hidden. Their life is hidden. Their work is hidden. Everything about them is hidden, like a man wearing black, standing in the black of the night.” A ranking compiled by most popular Chinese portal sina.com of the numbers of people seeking information about particular government jobs revealed that “…of the top ten government bodies which received the most expressions of interest for positions, eight were provincial tax bureaux, topped by Guangdong, all of them along the prosperous coast; and two were customs bureaux of Shanghai and Shenzhen. The bottom ten which attracted the least interest, were all provincial statistics bureaux.” With Beijing so far from the regions, who notices when things go awry until it’s too late?
  7. The CCP’s capitalist shell surrounding its so-called “socialist” core: The Party in 2010 isn’t the same Party of Mao. In fact, today’s CCP bears little resemblance to the revolutionary mass organization which won the hearts of WWII-weary Chinese citizens back in the late 1940s. This is a more business-oriented party. Fully corrupt. Swayed by profit. Droning on fulsomely about its socialist roots and leanings, meanwhile it erects ever-larger, ever more luxurious, and ever-megalomaniacal infrastructure projects across the breadth of China. Now that the government is flush with cash, it’s begun spending on the population: roads and hospitals, for instance, yet this is a relatively recent phenomenon.
  8. Tombstone:  The book which revealed the true death toll from Mao’s Great Leap Forward (>30 million citizens): Tombstone: Yang Jisheng’s account of the true death toll from the Great Leap Forward. A fitting end for The Party because of how it handily summarizes the main themes of the previous chapters: the CCP’s rigid control of information as it forged data about the Great Leap. How the regions were quick to avail themselves of their distance from Beijing to falsely report only information Beijing wanted to hear. How the Party sought to silence those who has the power to knock it off its pedestal. Yet this intrepid Xinhua journalist — yes, an insider! — devoted fifteen years of his life to meticulously notate over one thousand pages of stats from regional bureaus as the core material for his book. McGregor cites the (only Hong Kong, for now) publication of Tombstone as an example of how the Party appears to be morphing over time. Yang’s heretical work would have surely been destroyed — with Yang himself likely imprisoned or killed by the state — more twenty years ago. Does this seemingly permissive act hold out future promise for the Chinese Communist Party? McGregor appears to want his readers to decide.

Should You Buy This Book?

Yes! Just don’t get arrested buying it. There’s enough incendiary information contained within its pages to fully indict the Party for its misdeeds, sundry corruptions, and other flagrant recent abuses of power. Short of a few random hardcover copies flitting around Beijing-area indie bookshops, don’t expect to find this on Chinese bookshelves — either in its original English or in translation — anytime soon.

For any aspiring China Hand, amateur Sinologist, or Sinophile, The Party makes for deeply engaging fare.

But for all you vets out there, this book will only serve to reinforce the message you already know that the CCP isn’t a object to be trifled with.

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ADM Videoblog #44 — “Grab-Ass Fridays” — Everett Bogue, Author of “The Art of Being Minimalist” on Vimeo

Finally, A Film Book With *Practical* Advice!

Tom Reilly and Woody Allen

Steve Weiss of Zacuto USA is the mother of all mensches! Of course, Weiss is the main man from here and here, where you’ll learn more about filmmaking, cinematography, filmmaking trends, and good wine from the twin shows of Filmfellas and [ critics ] than you will from weeks of book reading (given how titles are dated from just about the moment they go to print).

Zacuto Logo
No, but seriously, Steve is a truly colossal dude.

Several months ago he Express UPSed (!!!) me a comp hardcover copy of journeyman filmmaker Tom Reilly’s memoir-cum-tell all, The Big Picture: Filmmaking Lessons from A Life On the Set, a work detailing veteran Tom Reilly’s entire life experience making flicker pictures alongside industry gods like Woody Allen as part of practically every on-set job that exists: First AD, Second AD, line producer, production assistant, camera operator, producer, director. In short, if a role exists for something taking place on a film set, chances are Tom Reilly’s played it at some point during his storied career.

Expect to sail through this title from start to finish as it’s not written in the traditional (read: boring) “how-to” style.

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